Cultural Criticism of My Dad Is A Liar Commercial Free Essay Example, 1500 words

In the first section of the commercial, the girl is praising her father. It starts with her acknowledging that her father is the sweetest father in the world. She continues praising him and the scene changes from the street where they were taking a walk to a different scene and it keeps on changing to support each description that she gives about her father. The commercial, in this case, is using video to paint and support the girl s descriptions of the father. This makes the message more vivid and straightforward to the viewers. The girl s short phrases and childish tone brings about a cheery mood. This mood is backed up by lively background music. This is to make the commercial tone vibrant. The second part of the commercial introduces contrast into the commercial. While the first part of the commercial was vibrant and full of praises for the father, the second part begins by the girl declaring that the father is a liar. This is a contradicting statement to all that was said in th e first part and it introduces shock. The tone in this section drastically changes from a vibrant tone to an emotional and sentimental one. We will write a custom essay sample on Cultural Criticism of My Dad Is A Liar Commercial or any topic specifically for you Only $17.96 $11.86/page This strategy has been used to captivate the viewers attention. The viewers are left expecting the girl to list the instances where the father lied and probably make him look bad but instead the commercial has employed this contradicting statement to further bring out the good qualities of the girl s father. The section describes all the sacrifices the father makes and the acts he has to go through in order to protect his daughter from all his problems and weaknesses.

The Cold War A New History By John Lewis Gaddis

Conflict of political ideologies is something that was present since the dawn of American history. The American revolt against the arrogant, totalitarian regime set a precedent for the future events in which the nation came together to oppose anything that went against the concept of democracy, and capitalism. Communism, or Marxism posed as a huge threat to the free mined Western societies, thus resulting in world wars that left perilous aftermaths, and bred an ongoing conflict between the two global political establishments. The Cold War, which is most commonly known by the conflicts between the liberal United States, and the totalitarian USSR, affected multiple aspects of social norms, as it became a life style choice. The book The Cold War; A New History, by John Lewis Gaddis provides a detailed and constructive analysis on the causes and effects of conflicts and events that took place within the recent global history. Gaddis is a professor at the Yale University, and is a histori an who contains a vast knowledge and expertise on the topics of Cold War and war strategy. Gaddis, in his book lays out the events that have occurred prior to and during the Cold War. What Gaddis was trying to achieve in his writing is to solidify the existing belief that Communism as a political opponent of the modernized Western society has brought nothing well but war and conflict. Gaddis illustrates the dictatorial regime that implanted itself in the eastern hemisphere, and has attempted toShow MoreRelatedThe Cold War: A New History by John Lewis Gaddis831 Words   |  4 Pagesof American history was analyzed. The Cold War is rampant with American foreign policy and influential in shaping the modern world. Strategies of Containment outlines American policy from the end of World War II until present day. Gaddis outlines the policies of presidents Truman, Eisenhower, Kennedy, Johnson, and Nixon, including policies influenced by others such as George Kennan, John Dulles, and Henry Kissinger. The author, John Lewis Gaddis has written many books on the Cold War and is an avidRead MoreThe Cold War : A New History By John Lewis Gaddis Essay1711 Words   |  7 PagesI chose The Cold War: A New History by John Lewis Gaddis for my book to review. I originally read parts of this book for History of the International System, but we did not read the entire book in class, only certain chapters. It’s been two years since I’ve picked up the book, and after reading about the Cold War in the context of U.S. foreign policy rather than simply an international history class, it seems like an entirely new book. I really like how the book into broken up into a series of themesRead MoreAnalysis Of The Cold War : A New History By John Lewis Gaddis2049 Words   |  9 PagesThe Cold War: A New History by John Lewis Gaddis The Cold War: A New History written by John Lewis Gaddis (a professor at Yale University who wrote other books such as The United States and the Origins of the Cold War and Strategies of Containment: A Critical Appraisal of Postwar American National Security) delivers a summarized, yet skewed interpretation of what had happened during the era known as the Cold War. Throughout the book, the author attempts to provide history of the Cold War, whileRead MoreJohn Lewis Gaddis s The Cold War1414 Words   |  6 PagesJohn Lewis Gaddis, is a leading American Historian of the Cold War. He is the Professor of history at Yale University. He is already the author of six books on the same subject. The Cold War: A New History, however, has been written on a less cosmic level. He has distilled a life time of research into this short but comprehensive book. He has given new avenues to old controversies in worldly and stylish, yet direct and plain-spoken manner. The book offers a lot of summari es to intricate historicalRead MoreSurprise, Security, And The American Experience980 Words   |  4 Pagesexperience There are a lot of things analyze the shifts in American foreign policy have been written before the famous day America lose it sense of security Sept 11. Thing like news reports, articles and books. Theses are some of those books :Rogue Nation, The Bubble of American Supremacy, Top Secret America: The Rise of the New American Security State. There are some books who are against America that don t hesitate to compare it to evil countries like Germany during ww2. Then there are book thatRead MoreThe Cold War as the Result of Fear of Soviet Expansion Essay example1472 Words   |  6 PagesThe Cold War as the Result of Fear of Soviet Expansion At the end of the Second World War only two out of the all the great powers were left standing. Germany and Japan had been crushed in the war and Britain and France were weakened economically and politically. The United States, who had not seen much fighting on her shores, emerged from the war economically and politically intact as a great nuclear power and Russia, although weakened economically, had the largestRead MoreWas President Truman Responsible for the Cold War? Essay1105 Words   |  5 Pagesinto office right at the end of World War II, after the death of President Franklin Roosevelt. Almost immediately after becoming president, Truman learned of the Manhattan Project, and had to decide whether or not to use the atomic bomb. With the advice of James Byrnes, Secretary of State, Truman decided to drop two atomic bombs on Japan, in part to demonstrate America’s power to the world and gain a political advantage in Europe (Offner 294). After World War II ended, there were negotiations aboutRead MoreRethinking Cold War History, By John Lewis Gaddis1340 Words   |  6 PagesGaddis, John L. We Now Know: Rethinking Cold War History. Oxford, New York: Oxford University Press1997. We Now Know: Rethinking Cold War History, is a book about the Cold War. This book was written by John Lewis Gaddis. John L. Gaddis is a Cold War historian. He portrays the Cold War in English and through the dialect of others. The thesis of this book is, I seek to situate this book at a particular point in time, not to claim timelessness for it. This is what I think we know now but did not knowRead MoreThe Cold War : A New History1650 Words   |  7 PagesThe Cold War lasted for forty years, from 1945 to 1985. Few historians took the time to address the events as they unfolded thus leaving most people with little or no explanations of the development of the war. During this fearful period, nine presidents served Americans and each president thought that the war carried a lot of dangers for forty five years. Accordingly, young Americans, Soviets and other citizens of the world require the services of a scholar with extraordinary gifts to provide insightRead MoreThe European Dimension Of The Cold War1458 Words   |  6 PagesThe Cold War between two rival super powers – the young United States of America and the Union of Soviet Socialist Republics – was an inevitable one. The relationship between the former war allies had begun to dissolve during the Second World War and eventually came to blows in 1947. First, it’s important to note that the Cold War was something that was only between the USA and the USSR is a fallacy. David Reynolds’ piece titled The European Dimension to the Cold War is a historiographical piece

Shylock Is a Villain as a Result of the Way He Has Been Treated free essay sample

The way in which discrimination plays a part in the the merchant of Venice is very evident throughout the entire play. The view over the Jews throughout the play is generally negative, this bias nature found throughout the play may influence the villainous and immoral actions performed by Shylock and his decisions which lead to him lawfully having the right to take one pound of Antonios flesh, which Shylock immorally accepted. The situation arose when Antonios great friend bassiano fell in love with a woman call portia and asked a loan from Antonio in order to impress the woman, not having any immediate source of money, Antonio stated that he would take a loan from a jewish money lender called Shylock, in the meanwhile Antonio had ships filled with his soon to be fortune on their way, hence the loan was sanctioned and an agreement was made but in a somewhat tragic lead up of events Antonio had lost all his boats, creating a situation where the Jew could either be merciful towards the christian, or take one pound of his flesh of which Shylock took the second option. We will write a custom essay sample on Shylock Is a Villain as a Result of the Way He Has Been Treated or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The first major bias or discriminative action performed in the play which may have created Shylocks urge for revenge may well have been when Antonio had had a quarrel with Shylock. Shylock states this when Antonio seeks a loan from Shylock, it becomes apparent that Antonio abused Shylock due to the fact that he was a Jew. Another event that may have been a stimulator towards the actions of Shylock may have been the way in which his daughters life had been intertwined with a Christians in a negative way, when shylocks daughter jessica betrays him by running away with in a way whichever emotionally hurt Shylock. A final and very strong reason for Shylock being so prejudice was due to the overall hate towards the Jews in the city, it seems as though Shylock acts towards antonio in a way which expresses his hatred towards the unfair treatment towards the Jews, it seems as though all his actions are a way in which he expresses the fact that even though he is a Jew he is a capable as any other Christian.

Roderic OConor Essay Example

Roderic OConor Paper Art is the creation of beautiful or significant things and throughout Ireland in the early 19th century, they were many artists that emerged and produced such art. Roderic OConor was a significant, famous individual who emerged out of Ireland as the most important Irish artist of the late 19th century. OConor was born in 1860 at Milton in County Roscommon. He was an immensely talented character, independent thinker and experimentalist that painted with great range and distinction. He firstly began his work at the Metropolitan School and then at the Royal Hibernian Academy (RHA) in Dublin, where he studied for one year. Like many of his contemporaries at this time, OConor wanted to further and broaden his horizons and artistic knowledge and in 1884, he moved from Dublin to Antwerp and then to Paris, where he became an eleve de M Carolus-Duran. He never returned to Ireland. OConor has been called, variously, a little known member of the Pont-Aven school, an Irish Expressionist, a Fauve, a master of color and even an Irish-American as you will later on, understand why. We will write a custom essay sample on Roderic OConor specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Roderic OConor specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Roderic OConor specifically for you FOR ONLY $16.38 $13.9/page Hire Writer OConors origins are obscure and his life to say the least is that of a recluse. He was a very wealthy, yet private and personal artist who rarely exhibited his work or sold any of his paintings. OConor was a connoisseur and a highly cultured man who remained alert all his life to current trends in art and literature in Ireland and in Europe. With a modest, yet powerful personality, OConor was a unique entity that strived on bridging the gap between realism and post-impressionism. Living his entire career in France, OConor spent longer in France than any other Irish painter. He became completely integrated with French painters. OConor was associated with great names in French art, including Vincent Van Gogh and Paul Gauguin, which he met in Pont Aven before 1893. This particular period in OConors life is said to be the most noteworthy chapter in his career. In the 1890s, the most significant period in OConors life, he began painting landscapes and figure pieces, vibrant with colour, painted in a bold, impressionistic manner. His combinations of reds and greens, pinks and lilacs, oranges and maroons etc characterized his paintings. His technique gave his work an identifiable stamp in the 1890s, but it was his use of hot colours and colour combinations that expresses his powerful yet self-doubting temperament, and gives his work its recognisable individuality. Such a painting that portrays his personality at this time was Field of Corn, Pont Even 1892. This particular painting demonstrates his expressiveness and how he had a ribbon effect in his work. The picture captures something of the haughty dignity of the primitive peasant nature within the Village of Breton in Pont Even. The varied approaches of 19th-century artists to landscape painting provide insight into their enjoyment of the natural world. While some artists in Europe painted to capture natures myriad components in detail, others sought to recreate its atmospheric conditions, fleeting impressions, or to grasp its eternal essence. OConor was influenced by many artists but one particular artist he greatly admired was Vincent Van Gogh as mentioned above. Van Gogh used to be a realist painter, once troubled and even suffered from paranoia. Van Gogh used primary colours and a technique of dashes of colour, which is channelled through his paintings in hoping to create swirling patterns. When OConor painted Field of Corn, it portrayed a warm, delicate example of his use of parallel-hatched brushstrokes, weighed down with strong and pure colours, work Van Gogh was aspired to. OConors passion and intensity to be a fine artist shone through. He painted quickly and loosely, playing with lights and colours to create an image. He was aware of colour theory and impressionism, as he allows colours to react simultaneously if they are complementary to each other. He gives us a feeling of landscape in this piece without trying to be photographic, yet we can criticise him, in that he obtained knowledge from other realists and that the painting was portrayed as very ordinary and not very pragmatic. OConor explored a technique of etching through Armand Seguin, using similar rhythmic lines to those of his striped paintings. In making these etchings, OConor worked very spontaneously, using strong directional lines to capture the wildness of the Brittany landscape and create a sense of compressed energy. As stated before, his work is closely linked to European trends and that of Van Gogh and even Gauguin, as the impressionist input is emphasised through the colours and light he uses and the post-impressionist influence is noticed through playing with lines and depth, yet OConor is still believed to remain an individual. Gauguin was said to have urged OConor to depart Paris with him and set out for the South Seas but he refused because OConor had discovered, in the wild and isolated landscape of Brittany, a totally absorbing subject for his art. For the rest of his life, OConor continued to live in Brittany, Paris where he fell in love and later married a young French woman. At this time, OConors paintings were relatively traditional and straightforwardly realistic, drawing connections between realism and impressionism, some showing the influences of Gauguin and later, some anticipating tenancies such as Fauvism and expressionism, which afterwards became movements or styles. According to Arnold, Bruce A Concise History of art (1968) London, Thames and Hudson (p.) OConor was said to have went through 3 not very distinctive periods in his life. From 1889-1900, OConors work was strongly influenced by Vincent Van Gogh as mentioned above. His pictures utilized a stripy technique, heavy painting, with relatively subdued colours. In 1894, after forming a close relationship with Gauguin in Pont Even, OConors technique changes. Instead of using thick paint (Impasto), which was present in his striped landscapes e.g. Field of Corn 1892, and influenced many other artists, OConor employed changes in his brush marks, which became more fluid and elongated, using the paint more delicately and thinly, painting wet on wet, implementing more mixing and blending of colour on the canvas. This emphasising a feeling of apathy and indifference in creating real space and depth in the work. It has become obvious how trends, development and movements of different styles of art in Europe in the 19th century have influenced OConor, possibly because he fell in love with the tendency of different movement styles and techniques that France had to offer him. From 1900-1910, it was an important part in the artists life. His colours became rich, strong and beautifully balanced and a highly distinctive palette emerges in his canvases. After 1910, his work becomes much more diverse, his style ranges more extensively, yet at this particular period, there was a convinced loss of intensity. This picture of a young Breton Girl in 1906 by OConor was a rather weary and exhausted piece, expressing the girls bold stare and blunt features. Her pose is expressionless and vacant and shes gazes suspiciously with her head slightly tilted to one side and raised. OConor uses complementary colours of reds and greens and reflects light and shadow in the girls chin and neck with his use of long stripes running down the girls face, thus heightening the emotion of the piece. In the 19 century, OConor became aspired to drawing still lives rather than painting landscapes. His techniques became loose and uninterested in details. Such an example was Girl reading 1910. (To the right) This painting, in a riot of color portrays a girl immersed in a book, totally oblivious to her surroundings. Some criticise OConor here and argued that it was not a portrait because of his loosely formed technique and lack of interest. In 1915, nude painting also became a fascination of OConor and his work and technique of painting again changed. In the late 19th century, the nude human figure remained a popular subject for painters and sculptors across Europe, who used it to express pleasure in both the physical nature of the body and its deeper significance in conveying spiritual meaning. Reclining Nude on a chase longe 1915. (To the right) was a painting by OConor that gives viewers a different perspective of OConors personality. He used limited palette and there was strong emphasises on his contrast between light and shade. In 1920, OConor painted The Bathers. This particular piece demonstrates the strong use of colour. The pure colour of yellows on both riverbanks is reaching beyond impressionism and post-impressionism, towards fauvism, this being a name for artists who were solely interested in colours and not lines and accuracy. Previously, OConors colours were always at the service of his subject matter whereas in fauvism, colour was used as an end in itself. OConor, along with other Irish artists such as, Walter Osborne, Sir John Lavery and Nathaniel Hone, dominated and emerged as great artists between the period of 1850-1916, also known as the arbitrary date yet OConor in comparison stands out as being the most experimental and tentative as he bonded a closer, intense relationship to changes in European artistic trends. For many centuries now, artists have looked to England and other European countries to continue their training and livelihood. For OConor, this was the beginning of a new life, a new way of thinking and a positive way of implementing changes learnt to create perfect movement styles, to generate rational images. Many artists in Europe and beyond drew self-portraits of themselves. This in itself allows viewers to gain a perception of what artists were like. The most successful portraits always suggest the personalities, as well as their physical characteristics. The three portraits here allow us to see how OConor, Van Gogh and Gauguin portray themselves s individuals. OConors self portrait exposes something of OConors pensive, contemplative and anti-social nature, as well as his very French appearance, his pale skin texture and complexion, dark hair, and flaccid moustache. For want of a better model, Van Gogh chose to paint his own portrait on many occasions. While in Paris between 1886 and 1888, Van Gogh lightened his palette under the influence of the brilliant colours of the Impressionists, but he soon reserved the use of such light colours to express particular moods. Van Goghs stay in Paris was a relatively happy one and in this painting, created during the summer of 1887, he portrays himself with an almost light-hearted appearance. Gauguin exemplified the restless artistic spirit. In this image, painted during a brief return to Paris from Tahiti in 1893, he plays the role of outsider, wearing the clothes and long hair of a Breton peasant rather than the suit of a Parisian. The background is divided horizontally, separating a cerebral and spiritual world from a physical and material one. His hand points toward a reproduction of a sketch by the painter Eugene Delacroix representing Adam and Eve expelled from Paradise. With this gesture Gauguin alludes to his sympathies for the distraught couple, for he was temporarily expelled from the paradise he had once discovered in Tahiti. It would be interesting to see how Roderic OConor would have ended up and how his work might have developed if he had not stayed in France, and instead travelled further around Europe and later, return to Ireland. There was also the opportunity for him to explore the South Seas with Paul Gauguin but he refused. OConor emerged into Europe and was influenced immensely by French artists Gauguin (Symbolism) and Van Gogh (Post impressionism). He developed a close liaison and friendship to Gauguin and some of the French artists work, helped OConor widen his own horizons to different trends and attitudes to art in Europe. Some critics also suggest that OConor did not know or have a personal relationship with Van Gogh. This Myth is left untold. At times through OConors life (1860-1940), he was said to have departed from the traditional pursuit of reproducing an illusion of real space in paintings of subjects, choosing instead to exploit the possibilities of paint to explore the fleeting effects of nature. This was definitely the case for OConor and today OConor is regarded as one of the most important modernist painters. (According to the Hunt Museum in Limerick) Unlike other artists, OConor made his life on a continent, spending all his life in France. He was influenced by impressionism and post-impressionism, in particular by Van Gogh and Gauguin and at one time Seguin, yet from my own perspective, it was clear that he was exploring his own ideas too. His work was inventive and experimental; these emphasised in his early striped paintings and in the early 20th century, in his use of vivid colours. OConors versatility as a painter in Europe is illustrated with subject matter, ranging through landscape (The Field of Pont Even 1892), to figure painting (Young Breton Girl 1906), to still life (Girl Reading 1910) and to nude painting (Reclining Nude on a chase longe 1915). His work emphasises his importance, his progressiveness, and his overall freedom of interpretation and expression throughout his life from Studying in Ireland, to travelling and living his life in France, in Europe. OConor today is greatly admired by many and his work influenc es many young artists across Europe to their own individual approaches to painting. OConor is known for his distinctive and richly coloured paintings and his technique of bold drawing. His work gives young artists the opportunity to judge the importance of his contribution in the late 18th and early 19th century. Different movements of art formed and disappeared throughout Europe. Some mentioned above include the post-impressionistic work of Vincent Van Gogh, the symbolic work of Gauguin, and the expressionistic types created by Irish Artist, Roderic OConor, whose work as stated before, reflects the impact of Impressionism and Post-Impressionism, and his vivid use of colour anticipates the work of the Fauves painters, quoted by Simply Irish. Throughout the late 18th and mid 19th century, Romanticism was too, a rather important artistic and intellectual movement that originated, stressing strong emotions of art in Europe at that time. Romanticism emphasized the individual, the subjective, the irrational and the imaginative. Eugene Delocroix was a famous french romantic painter, whose use of colour was influential in the development of both impressionism and post-impressionism in trends in europe, even inspiring modern artists nowdays in europe, such as Pablo Picasso. Trends of arts in Europe at this time tends to be changing all the time. Many european artsists such as Delocroix etc visited England to broaden their horizans whereas we seen how painters from Ireland and England tended to travel to Europe to seek new experiences and opportunities. Observations of English, Irish and European cultures and traditions in general made a lasting impression upon those who travelled there. Realism was too, an important movement or style emerging in Europe. It was born in a time of revolutionary upheaval across Europe in the mid-19th century. Romanticism gave way to truth and sincerity, and a belief that art should come from direct experience. French art in Europe at this time was one favoured as most accepting to trends in 19th century Europe. Success of artists and public taste soon began to change. Realists turned convention on its head to give heroic character to everyday subjects. Manet (1832-1883) scandalized the public with his images of modern life. Impressionists tried to capture fleeting effects of light and atmosphere. Manet, like Roderic OConor found a flare to painting still life paintings at one point in his career. During the 19th century and early 20th both Paris and Europe developed new trends to art, giving it a new look. Urban renovations had opened the wide avenues and parks we know today, and painting was transformed when artists abandoned the transparent glazes and blended brush strokes of the past and turned their attention to life around them. Contemporary urban subjects and a bold style, which offered paint on the canvas as something to be admired within itself, giving art a strong new sense of the present.